Tanu Weds Manu (2011) Watch Free Movie Online in HD and Download full Movie and Movie Review, cast, writer and Download Movie Poster

Starring: R. Madhavan Kangna Ranaut Jimmy Shergill Ravi Kishan Ejaaz Khan Rajendra Gupta K. K. Raina Deepak Dobriyal Swara Bhaskar Director : Anand Rai  
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Phas Gaye Re Obama (2010) Watch Free Movie Online and Download full Movie and Movie Review, cast, writer and Download Movie Poster

Starring:
Rajat Kapoor
Neha Dhupia
Amol Gupte
Sanjay Mishra
Amit Sial
Pragati Pandey
Sumeet Nijhawan
Manu Rishi
Devender Chaudary
Director:
Subhash Kapoor
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Angels & Demons (2009) Watch Free Movie Online In Hindi and Download full Movie and Movie Review, cast, writer and Download Movie Poster

Starring:
Tom Hanks … Robert Langdon
Ewan McGregor … Camerlengo Patrick McKenna
Ayelet Zurer … Vittoria Vetra
Stellan Skarsgård … Commander Richter
Pierfrancesco Favino … Inspector Olivetti
Nikolaj Lie Kaas … Assassin
Armin Mueller-Stahl … Cardinal Strauss
Thure Lindhardt … Chartrand
David Pasquesi … Claudio Vincenzi
Cosimo Fusco … Father Simeon
Victor Alfieri … Lieutenant Valenti
Franklin Amobi … Cardinal Lamasse
Curt Lowens … Cardinal Ebner
Bob Yerkes … Cardinal Guidera
Marc Fiorini … Cardinal Baggia (as Marco Fiorini)
Director:
Ron Howard
Release Date : 29 May 2009
Genre : Drama, Mystery, Thriller
Movie Info - http://www.imdb.com/title/tt0808151/

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Inception 2010 : Watch full movie, film online in Hindi for free in High Definition ( HD )

Starring:

Leonardo DiCaprio … Cobb
Joseph Gordon-Levitt … Arthur
Ellen Page … Ariadne
Tom Hardy … Eames
Ken Watanabe … Saito
Dileep Rao … Yusuf
Cillian Murphy … Robert Fischer
Tom Berenger … Peter Browning
Marion Cotillard … Mal
Pete Postlethwaite … Maurice Fischer
Michael Caine … Miles
Lukas Haas … Nash
Tai-Li Lee … Tadashi
Claire Geare … Phillipa (3 years)
Magnus Nolan … James (20 months)

Director:
Christopher Nolan

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Tere Bin Laden (2010) Watch Free Movie Online and Download full Movie and Movie Review, cast, writer and Download Movie Poster

 

Critic's Rating:  3.0

Direction: Abhishek Sharma

Genre: Comedy

Duration: 1 hour 40 minutes

Readers Rating: 4.

Starring:

Ali Zafar ... Ali
Piyush Mishra
Sugandha Garg
Pradhuman Singh ... Noora
Barry John
Raahul Singh
Seema Bhargava
Nikhil Ratnaparkhi
Chinmay Mandlekar
Chirag Vohra
Rahul Singh



 

More from Tere Bin Laden

'Tere Bin Laden' re-titled as 'Tere Bin'

Story: Ali, an ambitious young reporter, working in a downmarket TV news channel, is desperate to get to Amreeka, any which way. Having had his visa rejected several times, he embarks on a novel plan to enter El Dorado. He makes a fake video of Osama bin Laden, using a look-alike, Noora, who happens to be a humble chicken farmer and hopes this would be his ticket to the US. Alas, the best laid plans always backfire....






Movie Review: Now this one's a real cornball. It maybe a shade amateur and have loads of rough edges to its canvas, if you compare it to a regular Bollywood comedy. But when it comes to content, the film scores above several of the recent laugh riots that may have done well at the box office, but definitely didn't have an intelligent script to boast of. Tere Bin Laden has both: a smart script and some smart acting.
Leading the goofball team is veteran Piyush Mishra as the cranky TV producer who heads a TV channel that goes by the dubious name of `Danka' (or something like that). He sends his newshounds on a punishment assignment: to capture the crowing of cocks in a cock-a-doodle competition.

Funny Osama in 'Tere Bin Laden'

Yawn! says smartypants, Ali (Ali Zafar) who anyhow sleepwalks his way through most of his assignments because he's waiting for the big kill: an ace reporter's job in the hot and happening US media. But the routine assignment metamorphoses into a dream assignment when Ali discovers a chicken farmer who happens to be an Osama clone.


The rest is easy: an ambitious make-up artist (Sugandha Garg), a maverick dubbing artist who can speak Arabic (Rahul Singh), loads of hungry-for-TRP TV channels and a gullible and godawfully stupid Amreekan government are all that it takes to give the world its new breaking news story.

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The actors are having a ball, that's evident. The scriptwriter (Abhishek Sharma) is just loving it: making digs on America's war against terror. And the viewers are in for some breezy fun. Savour the satire.

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Lamhaa (2010) Watch Free Movie Online and Download full Movie and Movie Review, cast, writer and Download Movie Poster

Starring:

Bipasha Basu ... Aziza
Sanjay Dutt ... Vikram
Anupam Kher ... Haji
Kunal Kapoor ... Aatif
Vipin Sharma ... Kapoor
Yuri Suri ... Pasha
Shernaz Patel ... Parveena
Yashpal Sharma ... Rauff

Director:

Rahul Dholakia

Movie Review:

Lamhaa opens in the year 2009 and talks about the separatist protest movements that initiated in Kashmir which (it repeatedly claims throughout the film) had started ‘18 years’ back in the year 1989. Not only does the film goes appallingly wrong with elementary mathematics, but also adds to the audience ambiguity through its constantly changing geographical boundaries and jumbled history. 

Lamhaa mercilessly doesn’t deal with the Kashmir issue in an outright jingoistic approach like those countless formula films that have been made on the theme that show India as a clear-cut hero and Pakistan as a definite villain to exploit patriotic sentiments. This film highlights several discrepancies in our own country from corrupt army officers, conniving politicians to scheming businessmen. But beyond that when it attempts to fit in a clichéd conspiracy theory within the preset political premise, it falls flat on its face. 

Officer Vikram (Sanjay Dutt) is sent on an undercover operation to Kashmir when the Indian intelligence gets information of a probable big terror attack in the valley. There a separatist leader Haji (Anupam Kher) has been fighting against the Indian government since 1989 for Azad Kashmir. Haji’s protégé Aziza (Bipasha Basu) supports her mentor in his mission. Haji’s other ex-protégé Aatif (Kunal Kapoor), who is now a reformed militant, wants to contest elections from the valley to win his people and province. 

For Vikram, spying seems to be a child’s play. He sneaks into the police commissioner’s office in broad daylight as if playing hide-and-seek with him. He walks into a seamster’s shop who gives him ‘tailor-made’ tips and tracks terrorist identity by just having a look at their jackets. (Was the writing conveniently inspired by the investigative tele-series CID?) For no good reason Vikram keeps stalking and supporting Aziza in her attempts. Thankfully (though the background score gives a slight hint) a romance track is averted. 

Through all his lackadaisical spying, Vikram finally learns that the neighbouring country is going to repeat the assault of 1989 on a larger scale. So as you look forward to a striking climax, you are sorely disappointed to discover that the supposedly colossal conspiracy merely ends up being a bombing plan on a political rally, seen for a zillion times in Hindi films. The intended twist in the plot is predictable and the convenient culmination is void of any dramatic moments. 

It takes time to absorb the wide-ranging characters and their varied conflicts in the film and yet you do not understand all of them. Vikram is specifically chosen for the Kashmir operation though he doesn’t belong to the region. 

Yet there is no background account to justify his character, making him look shallow. In the initial reels, one tends to get confused if Anupam Kher’s Haji is a protagonist or antagonist as he keeps juggling between the two identities through the film. His fallout with Aatif is merely mentioned in a flashback scene. And then there is Mahesh Manjrekar playing Peer Baba in a cameo who remains quite undefined through the film. 

The screenplay by Raghav Dhar and Rahul Dholakia appears disjoint with constant unconnected scenes and subplots. Though the writing attempts to touch several related concerns from the half widows of Dardpura village, victimized prostitutes to the psychosis of the border security soldiers; these works only peripherally without being plugged into the core narrative. Bipasha Basu’s public humiliation scene seems to be distinctly derived from Monica Belluci’s Maléna. Nevertheless the actress is poignantly effective in her outburst. 

The pacing seems too hurried and the restless editing by Ashmith Kunder and Akshay Mohan barely allows you to breathe, gasp, feel, absorb, react or relate. The incessant disturbing camera movements by cinematographer Jamie Fowlds annoy you more than having an effect. Mithoon’s soothing musical score has its charming moments. 

The performances are not bad but don’t rise above the script. Sanjay Dutt plays his age but his character seems half-baked. Bipasha Basu is decent in a different role. Kunal Kapoor adds grace to his character but sounds meek in delivering political speeches. Anupam Kher is effective. 

For the common man, the politics of Kashmir has often been a complicated topic. This film doesn’t make it any simpler. Lamhaa doesn’t enthrall beyond a few interesting moments. 

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HOW WAS THE LOOK OF THE MOVIE CHANCE PE DANCE -- WITH A low emotional quotient input ,less music but a struggler glamor model ,lets have a brief review of the movie - CHANCE PE DANCE

Film: Chance Pe Dance 

Cast: Shahid Kapoor, Genelia D'Souza 

Direction: Ken Ghosh 

Genre: Drama 

Duration: 2 hours 1 minute 

Story: Sameer is the archetypal struggler who leaves his dad in Delhi and comes to Mumbai, chasing dreams of becoming a star in Bollywood. Does he manage to survive the bleak and gruelling rounds of endless auditions, broken promises and missed chances?

Movie Review: Begin the count....How many times have you seen and heard the story of the bechara struggler who leaves his home town with a tooth brush in his backpack and a bag full of dreams that can only be fulfilled in maximum city, Mumbai. And then, how many times have you seen him eventually rise like the Phoenix over a relentless period of struggle which has him being shunted out of producer's offices, battling with rejection slips, shedding a salty tear of desperation on the salty sea front or giving himself some pep talk when the going gets really tough.

Umpteen times. And that's where Ken Ghosh's film slips. For, it offers you nothing new in terms of the script which ends up as the weakest link in this entire show. Sadly, it follow all the predictable twists and turns that comprise the star-is-born story. Yes, super-talented Sam (Shahid Kapoor) does leave his dad (Parikshat Sahni) to sell saris in saddi Dilli, in order to become an actor in big, bad Bollywood, minus a godfather and a grand daddy. Yes, he bides his time making low brow lungi ads and pitching in as a courier boy, hoping the empty promises of stardom might just come true. And yes, they do come true, but only after a prolonged period of struggle which goes through the usual grind of hunger, a homeless and penniless state.

Yet, what makes this film watchable is the passion that Shahid Kapoor injects in his delineation of Sam, the struggler with stars in his eyes. May be, it's the autobiographical strains of the film -- the advertisements, the dance school, the chorus boy act, the no-godfather syndrome -- that stoke the fire in him. But there is a ring of sincerity and authenticity in his `Hi, I'm Sameer Behl and this is my number, Sir,' stuff during the sundry auditions that seem to be going nowhere. Also, the interactions with the school kids, when he tries to make a living as a dance teacher, has a spontaneity about it. Again, perchance spilling over from his days with Shiamak Davar. The initial I-hate-kids attitude is absolutely delightful -- and refreshing -- too. Add to this the effervescence of Genelia as Tina, the scooty-riding choreographer who thinks from her heart and you have an adequate medley of some moments of fun, fuzz and fantastic moves on the dance floor. Although, we do confess the audio track (Pritam Singh, Adnan Sami, Ken Ghosh, Sandeep Shirodkar) isn't much to boast about, considering the film is actually conceptualised as a musical.

The film may not have the emotional quotient of Ishq Vishq, Shahid and Ken's first film that set the box office on fire, yet it does have its moments. A better scripted, less cliched second half would have surely given the film a better chance to dazzle and shake.

A word about:

Performances: Shahid has a ring of sincerity as Sam, the struggler, while Genelia is her usual ebullient self.

Story: The plot is so predictable, it could put you to sleep. Now that's ironical at a time when Bollywood has so many new stories to tell.

Music: Four music directors and not a single song to boast about. Sad, really sad

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CID ki Shayari for CID fans : funny text messages short jokes in hindi

A for apple B for banana...
A for apple B for banana...
ACP PRADYUMAN ne kaha: kuch bhi ho jaye daya,goli mat chalana...


MANCHESTER UNITED main khelata hai ROONEY
wah wah
MANCHESTER UNITED main khelata hai ROONEY
ACP PRADYUMAN ne kaha: Akhir chahata kya hai khuni
 http://hallosushant.blogspot.com/

Hamare dil mein hain aap ke liye chahat
gaur farmaiye
hamare dil mein hai aap ke liye chahat
CID ke bad 11baje aata hai AAHAT


Charo aur IPL ki dhoom hai..
wah wah . .
wah wah..
Charo aur IPL ki dhoom hai
ACP Pradyuman kehta hai "Daya ye Atmahatya nahi Khun Hain "..


Agar tyre ghumega to gadi b zarur hilegi
Agar tyre ghumega to gadi b zarur hilegi
ACP Pradyuman ne kaha tumne khun kiya hai saza to tumhe zarur milegi.. :D


Mumbai jana hai mumbai jaoo
Delhi jana hain delhi jaoo
Abhijeet sheher main jitne bhi dealers hain subka pata lagaao.. :D :D

 http://hallosushant.blogspot.com/
Bachchon ne CID dekha to maa bahot chillayi....
Bachchon ne CID dekha to maa bahot chillayi....
Ye baat jaankar "kuch to gadbad hay !" bolke ACP ne apni ungli hilayi !!!!


CID dekhne alag hi ehsaas hai...
wah wah.....
CID dekhne ka alag hi ehsaas hai...
"Daya kaatil yahi kahi aas paas hai"!!!

Kashmir pe India ka hamesha se Haq tha,
Kashmir pe India ka hamesha se Haq tha,
ACP bola'Muzhe pehle se tumpe shaq tha..'


Dil pagal hai pyar me tere paro......
Dil pagal hai pyar me tere paro......
ACP bola "Fredricks ghar ka kona kona chan maro...........
 http://hallosushant.blogspot.com/

KKR ka worst player is Laxmi ratan shukla,
KKR ka worst player is Laxmi ratan shukla.
Sir, Hamara Shaq sahi nikla!


Shaam ka suraj dhal chuka hai,
shaam ka suraj dhal chuka hai..
Oh my god sir, ye to mar chuka hai!


Humare aangan mein bhi ek chota saa phool khilega..
Humare aangan mein bhi ek chota saa phool khilega..
Daya sabut dhundho yahi kahi milega!


Tide ke istemaal se sab safed ho jaega
Tide ke istemaal se sab safed ho jaega
Daya ne kaha,"Ek lagau to sab yaad aa jayega.."


Kato gholo aur lagao....
Kato gholo aur lagao....
Waah...Waah...
Kato gholo aur lagao....
Kato gholo aur lagao....
Acp ne kaha,"Daya ye no kiska he jaldi se pata lagao...."
 http://hallosushant.blogspot.com/

Agle Vasant Mein Yeh Kali Jaroor Khilegi....
Agle Vasant Mein Yeh Kali Jaroor Khilegi....
Daya, Khuni Ko Us K Kartutko Ki Saja Jaroor Milegi..!!!!!


chamche pe chamcha
spoon pe spoon
wah wah
chamche pe chamcha
spoon pe spoon
abhijeet dekho ho rahe hai
khoon pe khoon


paani se khelo,aag se na khelo.....
paani se khelo,aag se na khelo.....
Daya,zara in sab ke fingerprints to lelo.........~!!!!!!!!!!


Fredricks ke sar pe 50000 ka loan hai....
Fredricks ke sar pe 50000 ka loan hai......
Abhijeet pata karo yeh CID wali shayari banata kaun hai !!!!

 http://hallosushant.blogspot.com/
Certification ki last date nikal chuki hai...
wah wah ..
Certification ki last date nikal chuki hai...
wah wah ..
Oh my GOD Daya, ye laash to buri tarah se jal chuki hai


Chandigarh ke aage Ludhiana, Ludhiane ke aage Moga
WAH WAH ..
Chandigarh ke aage Ludhiana, Ludhiane ke aage Moga
WAH WAH ..
ACP almaari ki side se sat kar bola, Khooni zarur yahin kharha Hoga


Andhaa kya Dekhega, aur Gungaa kya bolega,,
WAH WAH ..
Andhaa kya Dekhega, aur Gungaa kya bolega,,
WAH WAH ..
Iss bar Abhijit bola, Sir ye Aise Muh nahi Kholega


Duniya mein jise dekho pyar dhoonde pada hai
Wah wah
Duniya mein jise dekho pyar dhoonde pada hai
Wah wah http://hallosushant.blogspot.com/
ACP Pradyuman bola , Daya mujhe lagta hai khooni mere saamne hi khada hai.


Aajkal CID ki shayari ka kahar hai
Aajkal CID ki shayari ka kahar hai
Dr. Salukhe bole iski maut ki wajah ZAHAR hai J


Dekho kitna pyaara khargosh hai
Dekho kitna pyaara khargosh hai
Daya inko chhod do , ye dono NIRDOSH hai


Agar chabi na mili toh hum taale tod denge,
Agar chabi na mili toh hum taale tod denge
DR SALUKHE murde se bhi sach uglava lenge !!!
 http://hallosushant.blogspot.com/

Phool khil gae baharon ghata chaa gaiiiiiiiii
Wah Wah
Phool khil gae baharon ghata chaa gaiiiiiiiii
Wah Wah
DR SALUKHE KYA POSTMARTOM REPORT AA GAI...


Mere dil me na jane kitne Armaan rahe.
Wah wah
Mere dil me na jane kitne Armaan rahe.
Wah Wah
Delhi Metro me jeb katro se Sawdhan rahe.


Zindagi ke safar mein har baar hum milenge.
Zindagi ke safar mein har baar hum milenge.
Agala station rajiv chowk darwaaze baayi taraf khulenge..

 http://hallosushant.blogspot.com/
5 Rupaye ka 1 samosa,10 rupaye ke do
Wah Wah !!
5 Rupaye ka 1 samosa,10 rupaye ke do
-DAYA- DARWAZO TOD DO ;)


Pani se khelo par aag se na khelo
Wah wah !!!
Pani se khelo par aag se na khelo
DAYA ISKE FINGER PRINTS TO LELO


Maine tumhein dhunda yahan wahan
Wah Wah
Maine tumhein dhunda yahan wahan
Wah Wah
Daya aakhir laash gayi to gayi kahan.


Saare shehar mein Kapdo ki SALE ka bol bala hai
Wah wah
Saare shehar mein Kapdo ki SALE ka bol bala hai
Wah wah http://hallosushant.blogspot.com/
ACP praduman bola dal mein kuch kala hai


Aaj food court mein pankhe ka bara shor hai
wah wah
Aaj food court mein pankhe ka bara shor hai
wah wah
ACP pradyuman, geeta ka kaatil koi aur hai!!!


Sardi hai to khansi (cough) bhi hogi
Waah waah
Sardi hai to khansi (cough) bhi hogi
Waah waah
ACP Pradumann ne kaha: Tumhe to Faansi hi hogi


Kya ada kya jalwe tere paaro
Wah wah
Kya ada kya jalwe tere paaro
Wah Wah
Daya aur abhijeet ghar ka kona kona chaan maaro!!!

 http://hallosushant.blogspot.com/
Devdaas ke gum ka kaaran thi paaro
wah waha
Devdaas ke gum ka kaaran thi paaro
wah waha
Daya aur abhijeet ghar ka kona kona chaan maaro!!!


Cricket ke saare balls catch hue
wah wah
Cricket ke saare balls catch hue
wah wah
Cricket ke saare balls catch hue
Fredrick kya finger prints match hue???


Ye hasin wadiya aur khula khula akash
wah wah
Ye hasin wadiya aur khula khula akash
wah wah
oh my GOD abhijeet ek aur laash!!!


Ye hasin wadiya aur khula khula akash
wah wah http://hallosushant.blogspot.com/
Ye hasin wadiya aur khula khula akash
wah wah
Daya aur abhijeet, ghar ka kauna kauna chaan maaro!!!

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Provincialism of language and The health of popular Indian languages.

1. Indeed, Hindi was broadly accepted as the National Language and Hindi Prachar Sabha-s were established to propagate Hindi language and working successfully in many States, esp. in Tamilnadu, where the objections of serious nature developed later.

2. Malayalees took to Hindi as fish to swimming, as the Sampoornanand version of Sanskritised Hindi- not Hindustani- was understood better by Keralites than even UP-ites, who were more familiar with Urdu words. Most of the rankings in Hindi Language Examinations in Delhi or Agra, I remember were taken by Malayali students, as they knew the Devanagri script while studying Sanskrit and the terminologies too of Sanskrit.  

3. What was objected to and aggravated to serious agitations was the modus operandi followed in imposing Hindi through Central Govt. offices as well as UPSC examinations- only in English and Hindi then- which States like TN would not accept. One of the reasons of success of the Dravida movement was the anti-Hindi agitations in 1960-s, bandhs and defacing Hindi- boards, displays..etc. leading  to severe law and order problems and sympathies for DMK rising fast.

4. The Centre unilaterally decided to send all letters in Hindi which found the trash-box in many offices in non-Hindi States without responding, paralysing the work in offices. It was then diluted to both English and Hindi versions on either side of the paper for Govt. correspondence.

Thousands of mediocre school non-metrics from Hindi States were recruited as Hindi teachers and sent to every Central office to teach Hindi to non-Hindi speaking staff, a futile effort initially, until passing Hindi language tests was made compulsory for promotions.. etc.

5. Nehru then came up with the idea that while non-Hindi States would learn Hindi as a third language, Hindi speaking States would insist on the staff to learn one of the non-Hindi languages- which never materialised.

UPSC examinations too were compromised to accept all 14 languages and mediocres flooded the IAS and other cadres compromising on meritocracy in Central Services.

6. IT IS STRANGE THAT ALL HINDI SPEAKING STATES WHO EXPECT THE NON-HINDI SPEAKING STATES TO LEARN THE LANGUAGE AND MAKE NOTINGS BY WRITING, STUDYING THE FILES ETC. insist on Hindi numbers .

7. However, IAS officers posted to particular States learn the local language within a few years and converse, speak and write notings in the States they work. This works as it is mandatory.

8. Parochialism is bad and is divisive. But Parochialism has benefited many political parties to win the elections, be it DMK or Shiv Sena or Akali Dal etc. Shiv Sena and MNS are aiming at this goal.

9. Hindi movies have done propogation of Hindi language much more effectively than all Govt. promotionary programmes put together. Popularity in Hindi movies is universal.

10. If you want to promote Hindi, make it a third language from Std.V compulsory up to XII, besides English and mother tongue for the next 15 years, and you will find the next generation prepared to meet any challenges then, without any compulsion.

Veer Savarkar once started addressing a public meeting in Hindi at Bangalore . 

The crowd started shouting "Speak in Kannada. We will hear only in kannada." 

Veer Savarkar replied " Friends, I have spent 14 years of rigorous imprisonment in ill famous Andaman Jail where all freedom fighters were kept in jail. I have learned Bengali from the freedom fighters coming from Bengal , Hindi from those coming from Uttar Pradesh, even gujarathi and 

punjabi. Unfortunately there was none from Karnataka from whom I could have learned Kannada." 

...and there was pin drop   silence.

The primary cause of the problem is the failure of the Indian state on two major counts:

a)  failing to establish a comprehensive public education system to provide quality education for most of Bhaarat's children up to the secondary levels, AND a combination of public & private institutions of higher learning of high quality in all fields (including the humanities) to produce technocrats, professionals, managers, 'artists', thought leaders and cutting-edge researchers for Bhaarat (not for Nasa, Microsoft, and Wall Street); and

b)  failing to establish a comprehensive 'language policy' to further enrich India 's linguistic heritage, which is fundamental to intellectual and moral development, as well as cultural articulation and innovation. 

 Hopefully this anecdote would help people understand how and where India slipped by 

making a comparison. 

 A university undergraduate (biological science) - outside India - has been selected to spend one semester (five months) in a Swedish university, beginning Jan 2010, as part of the student exchange programme.  A catch.  He cannot take courses at the Bachelor degree level because all first degree courses (including the hard sciences) are conducted in the Swedish language.  Only Masters and above are available in English.  This young man (of Indian origin) has, therefore, agreed to choose somewhat equivalent modules from the Masters programme. 

The politicians who fight to get elected can't run even kindergartens properly, so much so that even ordinary peasants are forced into sending their children to unaffordable private 'convents' (in English).  Do you know what kind of damage is being done to the mental and emotional development of these kids forced to learn a foreign language (English)?  Aggravating the problem is the fact that most of the teachers are themselves not proficient in English.  What is going on in the name of education is, therefore, nothing less than criminal.  There are any number of educationists who will vouch for the damage the kids will suffer.  But the education merchants are in cahoots with the politicians and bureaucrats.  

At the other end is the problem of job opportunities for graduates educated through the mother tongue.   

Why is it that Bhaarat cannot get to do what the Swedes, Dutch, French, Japanese, Chinese, Russians.... . can?

Is it because they have superior languages?

Or superior people? 

Jaago India Jaago

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What is the reason of linguistic war going in India. Should Hindi be taken as a national language and be made compulsory or we should follow 'language of convenience’ and follow English as "Ingliss" and lose our identity. Jaago India Jaago

There are various elements necessary in the making of a nation such as a common language, a common religion, a common Government and a common culture and social economy, but perhaps the most fundamental and indispensible factor is the possession of a common country, a fixed, definite abode. Even nationality has a material physical basis without which it can hardly manifest and assert itself as a real existence and factor in the political world”. – Radha Kumud Mookerji, Ex-Historian

Those nations are at a loss, where there is no common language, one that is officially declared, mooted and followed religiously. A common language can convey the sensitivity of their inhabitants. On 15th August 1947, British India gave birth to a sovereign nation: India in English and Bharat in Hindi.

What’s there in a name? Are ‘Bharat’ and ‘India’ same or different?

By January 26, 1950 it was made official that rich cultural heritage and ethnic diversity of “ancient Bharat” will be re-assimilated and will be re-amalgamated in order to carve out a new modern nation, BHARAT. But nothing really happened… at the age of 59, Bharat is persistently struggling for ‘her’ own identity against India. From British-India to India, privately owned India Inc. is endlessly ruling the roost. Bharat has continually been facing tough challenge to stand on its feet - since its inception. Millions of people of ‘Indian’ origin do not know what ‘Bharat’ is, and why ‘Bharat’ is engraved in their Passports and other documents? What happened in ‘Maharashtra Assembly’ speaks the volume of identity crisis of Bharat. Linguistic war inside Assembly could have been avoided, if we would have given our country one name: either India or Bharat.

Will any country without “a language of national repute in real terms” ever become a forceful country to reckon with?

A few months ago, there was a panel discussion on CNN-IBN online why “the foreign policy of China is ruthlessly aggressive”. In other words, why our nation’s foreign policy is mercifully meek? Panel failed to address the core problem, it was the language. Mandarin, the language of China is a ‘font’ of aggression and the ‘typescript’ of national pride. Our nation does not have a language that can embrace her entire populace and stimulate the feeling for the place we live in and work for, neither the officially declared Hindi and nor the languages of 8th schedule in our constitution. It is practically impossible to snub aggression in ‘scrounged’ idioms, what ‘India’ is doing for the past several years.

Officially declared language, Hindi went on dialysis on the night of August 14, 1947 when first Prime Minister of Independent India Pt. Jawahar Lal Nehru delivered his first ‘independence speech’ in and outside the Parliament in the language of his convenience. ‘Nehruvian’ school of language continues to dominate both inside and outside of Parliament amongst different political and social affiliates. India became the officiating country to the world; her representatives never spoke in the officially declared nation’s language at any world forum. It is ironical to note that many cities and states across our country adopted names in their respective languages in order to assert their regional smugness. Calcutta, Bombay, Madras and Bangalore embraced regional self-importance in the form of Kolkata, Mumbai, Chennai and Bengaluru, respectively. No one asserted emphatically ever on behalf of Bharat. 

Bombay, the financial capital of India became Mumbai, but Mumbai remained financial capital of India. Imperative to regional leadership and own weaknesses of Bharat, not only Mumbai is slowly slithering, but the entire small rural-urban centers across the nation. That is why there is no national pride associated in the battle of name change. ‘India’ gained many technologists and scientists, but there was none in favor of ‘Bharat’. Hence, our national (educational) identity is lost in translation.

India is more accommodative.

Music is magic, and Indian (mainly Hindi) Cinema has shown us a new national hope. In 2009, nearly two-third lyrics of Hindi songs have English inputs for the betterment of our rural folk-tongue. According to a survey on upper middle and rich Indians conducted by The Nielsen (published in CNN-IBN online edition) found that "Top 10 affluent cities of India prefer English language for newspapers but watched television more in regional languages. “Nine in 10 affluent individuals watch television and nearly three-fourth read English dailies”, the survey further added.

Can English as a language be our exclusive identity of one-nation theory - India?

Reflective confusion has always prevailed over Indian Institute of Technology vs ‘Bhartiya Prodyogiki Sansthan’. And, between Prodyogiki and Technology, there were/are many dumb abnegators. It was my late realization in early 1990s that why parents are working overtime on feeding ‘Technology’ to their children over ‘Prodyogiki’ as a mode of communication? Trends set in motion for the sake of acquiring prestige, power and jobs, or whatever the forms it may have today. A sudden realization by the Government was for a ‘unique identification number’ for all in order to serenade one’s national identity. Therefore, Agency was ‘just’ given a new name in Hindi language, “Bhartiya Vishishth Pahchaan Pradhikaran” and in English “Unique Identification Authority of India (UIDAI)”. It was noticed that UIDAI made its presence felt everywhere on the recent visit of its Director, Mr. Nandan Nilekani in Patna. There was no banner depicting “Bhartiya Vishishth Pahchaan Pradhikaran”. Poor ‘Bharat’ is enduring stress of continual ‘Indianization’ of her own heartland.

Policy making places are no exception. A couple of months ago, during a parliamentary Question hour in English between Maneka Gandhi and Jairam Ramesh, Mulyam Singh Yadav wondered whether he was in an Indian or an English parliament. 

What language one should use in the Parliament, the so-called national language Hindi or the language of convenience. Maneka Gandhi chose language of convenience, ENGLISH. Later BJP spokesperson Mr. Rajiv Pratap Rudi cleared the BJP view and gave verdict in favor of the language of convenience. At the same time, he showed ‘enormous kindnesses” towards Hindi. Constitutionally declared the so-called national language has all the privileges and civil liberties till the ‘language of convenience’ blows its horn boldly in coming years. Mr. Jairam Ramesh too asked for forgiveness.

The “INGLISS”

A language is like a flower, and needs enough water for its nourishment, and hence, the Hindi. I personally believe that Hindi as a national language has failed at all fronts to such an extent that it will certainly never become a language of convenience in 21st century. Hindi has further failed to get acquainted with millions of individuals as ‘Indian identity’, so why it has been crowned with national title with so much disgrace in their own country and parliament? Insult can be tolerable, injury can be beyond repair. Hindi should be given due respect in the 8th schedule of constitution before it loses everything in the name of national language in coming years. Language signifies our identity. Why should we carry such a fake identity, which divides people and creates a class system based on linguistic diatribe?

Hindi is losing its foot hold in the Hindi heartland, where the life of economically upward mobile people wakes up with “good morning” and slumbers with “good night”. Those who are fighting for Hindi inside Parliament/Assembly ironically take pride in their second generation who are fluent enough in the characters of “good morning” to “good night”. Not only amongst rich and affluent, over the years English has emerged stronger, has grown bigger, and in fact they are finding acceptability amongst rural tongue - INGLISS. 

These days, speaking ‘Ingliss’ is providing citizens of Bharat a full satisfaction of earning prestige as well as upper hand in sharing the cake of globalization with rest of Indians including nearness to bureaucracy and military.

Hindi has no right to occupy the national language seat in an ethnically divided multi-lingual country. Time has come to declare INGLISS as a language of national identity and neo-nationalism. Time has come to shed the ‘double standard’ in our lives. Bihar has always been the torch bearer of the revolution of its kind. Bringing English (Ingliss, an Indian English) as a compulsory subject in Class X board is a major shift in the policy of Government of Bihar. Many “Bhartiya” from Bihar putrefied in their linguistic struggles on the streets of ‘India’ in finding their dreams. Let the Government of Bihar initiate the process of endowing the official status to INGLISS as the primary language for all Biharis.

A country whose President, Prime Minister and Council of Ministers refrain from speaking “officially declared national language” while pledging for their respective offices, remain restrained in taking tough stand against the marginalization of national language by extremist forces; a country whose parliamentarians are mortified by the language Hindi, calling it a disease, is an embarrassment to the words, national and nationalism. It is an absolute double standard with respect to ‘Bharat’.Let us declare “Ingliss or English” the language of National Identity of India.

src: When India Defeated Bharat: By Dr. Sudhir Ranjan

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Genre: Action-Thriller

Indian Release Date: April 3, 2009

Cast: Vin Diesel, Paul Walker, Jordana Brewster Direction: Justin Lin Duration: 1 hour 47 minutes

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